Chordyes

Marsha Thank You For The Dialectics But I Need You To Leave

Accords de guitare de base et paroles pour Marsha Thank You For The Dialectics But I Need You To Leave par Will Wood

Piano Intro
    F          A7           Dm

Bb10--8-F-8----Gdim---------|

Verse 1
FThey Could Prescribe You Any Illness
You Like, If You DeBbfine The Terms Of
Your FAilment

You Could Sing A Pretty Malady Like A
Black Canary,  But A BbCrow Don't Know
The Smell OCf Carbon Monoxide
FHow Many Years Have You Been On That
Couch? They Coulda BbQuilt'd You In The
 Throws By FNow

You Draw A Line In The Sand, Where It
Eb/FEnds And You BBb/Fegin, But ThBbe Tide Rolls
 In, So Who CKnows? Oh, Well

Pre-Chorus
And A BbLittle IdentityC Never Hurt
Nobody
Oh But AmLately You've Been Focusing Too
DmMuch On Yourself
So Gm7How Many Milligrams Of You Are Still
 Left In CThere?

Chorus
‘Cause BbBack In My Day We Didn'tC Need No
 Feel-Good AmPills, And No PsycDmhiatrists
No We Just BbDranDm/Ak OurGm-SelvBb/Fes ToGdim  Death
N.c
And Goddammit We Liked It

Instrumental
F A7 Dm Bb            
F Gm7b5 F Db C            
F A7 Dm Bb            
F Bbm

Verse 2
FWho Makes The Call, What's A Symptom
What’s A Flaw? Could It Be BbBoth?
Well I Suppose That’s An FAnswer

Would You Give Up Your Humanity For
Just A Touch Of Sanity? ‘Cause BbGod
Knows, It’s Not Like It'sC Cancer!
And Good FNews To The Purist, They
Discovered A Cure For The BbSymptoms
 Of Being FAlive
It’s A Painless Procedure With A EbLow
Rate Of Failure, But BbVery Few
PatieCnts Survive!

Pre-Chorus
And A BbLittle ConformityC Never Hurt
Nobody, But AmLately I've Been
Worried That YDmou're Losing Yourself
So Gm7How Many Milligrams Of You Are Still
 Left In CThere?

Chorus
‘Cause BbBack In My Day We Didn'tC Need No
 Feel-Good AmPills, And No PsycDmhiatrists
No We Just BbBleDm/Ad OutGm InBb/F Our GdimBaths, And
N.c
Goddammit We Liked It

Instrumental
F A7 Dm Bb            
F Gm7b5 F Db C            
F A7 Dm Bb            
F Bbm

Piano Solo
 F Bb F Bb Gm C F D/F#
Gm C F F#dim  Gm C Gm C Gm C
F A7 Dm Bb F Bbm F Db C(x2)

Bridge
DmDoctor, What's My Prognosis If The
FStudies Show That
CDisease Is In The Eye Of The BFeholder
Tell Me A7So It GoBbes
We Depress To ImCpress, I Guess, In
AmLayer After Layer To GetDm Off Our
Chests
It’s GmCold Out Now, We Can Take It Off
Later
CBetter Safe Than Sorry And We Both Know
 The Dangers
DSo Doctor, Could You Run FAnother Test?
CGot A Feeling This Time I Might Just
FPass It, Well If YouA7 Raise The
BbAverage!
We All Sing When The CBell Curve Rings
In AmLyrics Symptomatic Of TheDm Way We
Think
If Our GmHarmonies Don't Sync, We Can
Change Our Voices, Our CChorus
Unconditional Of Diagnosis

Chorus
BbBack In My Day We Didn'tC Need No Feel
Good AmPills, And No PsycDmhiatrists
BbWhat Can I Say Except Don'tC Heed No
Evil AmWills Of MoralDm Nihilists
I Said BbBack In The Days Of LCobotomies
Shock A7Therapies, And MadDm Scientists!
Oh Don't You BbMakDm/Ae Me GmWasBb/Fte MyGdim Breath
N.c
And Goddammit—

Instrumental Hook
 F A7 Dm Bb F Gm7b5 F

 Gm C Eb D G

Outro
CIs Your Identity AtF Stake? Does Aspirin
 Kill You With The DmPain?

You're Not Your Thoughts, You're Not
Your GBrain, You're Just That
Character You've Made
CUp In Your Head, Down In YourF Heart
What Seem Like Separate Body DmParts
Just Come Together To BeGlieve They're
You, And Not Just Chemistry
CIt’s Not The Way You WereF Raised, Not
What The Advertisements DmSay
Not What You Pay For, What You GPray
For, What You Want Or What You Say
CAnd I See Your Tendency ToAm Redefine
Disease By What You FNeed
And I'm Afraid I Can't PreGscribe The
Diagnosis That You Seek
CBut Something Tells Me That YouAm Need
Forgive Me Now If I MisFspeak
But Something Tells Me That You GLike
Yeah Something Tells Me—
FThat You PrGefer

To Be Sitting There Flipping Through
Those Old Issues Of People
N.c
Well That's Our Time, See You Same Time
 Next Week C
Disponible aussi en: C D E G A

FAQ

Quels sont les accords pour Marsha Thank You For The Dialectics But I Need You To Leave ?

Les accords pour Marsha Thank You For The Dialectics But I Need You To Leave sont : F, A7, Dm, Bb, Gdim, C, Eb/F, Bb/F, Am, Gm7, Dm/A, Gm

Quelle est la tonalité originale de Marsha Thank You For The Dialectics But I Need You To Leave ?

La tonalité originale est F.

Quelle est la difficulté pour jouer Marsha Thank You For The Dialectics But I Need You To Leave ?

Le niveau de difficulté est Advanced.

Puis-je jouer Marsha Thank You For The Dialectics But I Need You To Leave dans une autre tonalité ?

Oui. Vous pouvez transposer la chanson dans n'importe quelle tonalité en utilisant la fonction de transposition.

Marsha Thank You For The Dialectics But I Need You To Leave peut-elle être jouée sur une guitare acoustique ?

Oui. Les accords fonctionnent pour la guitare acoustique et électrique.

Puis-je jouer Marsha Thank You For The Dialectics But I Need You To Leave au ukulélé ?

Les accords de Marsha Thank You For The Dialectics But I Need You To Leave peuvent être joués à la guitare ou au ukulélé, en utilisant les positions propres à chaque instrument.

Combien d'accords sont utilisés dans Marsha Thank You For The Dialectics But I Need You To Leave ?

Marsha Thank You For The Dialectics But I Need You To Leave utilise 12 accords : F, A7, Dm, Bb, Gdim, C, Eb/F, Bb/F, Am, Gm7, Dm/A, Gm

Quelle est la façon la plus simple de jouer Marsha Thank You For The Dialectics But I Need You To Leave ?

Vous pouvez utiliser la fonction de transposition pour changer la tonalité et l'adapter à votre gamme vocale ou utiliser des formes d'accords plus faciles.

Dans quelle décennie Marsha Thank You For The Dialectics But I Need You To Leave a-t-elle été créée ?

Marsha Thank You For The Dialectics But I Need You To Leave a été créée dans les années 2020. Voir plus de chansons des 2020 ici

Existe-t-il des versions d'accords plus faciles pour Marsha Thank You For The Dialectics But I Need You To Leave ?

Oui. Appuyez sur le bouton Simplifier pour transformer les accords de Marsha Thank You For The Dialectics But I Need You To Leave en accords adaptés aux débutants - cela supprime les extensions avancées comme maj7, m7 et les neuvièmes sans changer la tonalité ni la progression du morceau.

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