Capo 2nd fret Intro : Gm A# F.. Gm A# F.. GmTwo Jumps In A Week I Bet You A#Think That's Pretty Clever Don't YFou Boy..? GmFlying On Your Motorcycle A#Watching All The Ground Beneath You FDrop.. GmYou'd Kill Yourself For Recognition A#Kill Yourself To Never FEver Stop.. You GmBroke Another Mirror You're TA#urning Into Something You FAre Not.. Reff : Don't Leave Me GmHighA#.. Don't Leave Me FDry.. Don't Leave Me GmHighA#.. Don't Leave Me FDry.. Int. Gm A# F.. GmDrying Up In Conversation A#You Will Be The One Who CannFot Talk.. GmAll Your Insides Fall To Pieces A#You Just Sit There Wishing You Could StiFll Make Love.. GmThey're The Ones Who'll Hate You When You A#Think You've Got Rhe World AlFl Sussed Out.. ThGmey're The Ones, Who'll Spit At You A#You Will Be The One ScrFeaming Out.. Reff : Don't Leave Me GmHighA#.. Don't Leave Me FDry.. Don't Leave Me GmHighA#.. Don't Leave Me FDry.. Music : Gm A# F.. Gm A# F.. It's The GmBest Thing, That You Ever Had The BesA#t Thing That You Ever, FEver Had.. It's The Best GmThing, That You Ever Had The BesA#t Thing You Ever Had Has GFone Away.. Reff : Don't Leave Me GmHighA#.. Don't Leave Me FDry.. Don't Leave Me GmHighA#.. Don't Leave Me FDry.. Don't Leave Me GmHighA#.. F Don't Leave Me GmHighA#.. Don't Leave Me FDry..
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Intro : F#m A E.. F#m A E.. F#mTwo Jumps In A Week I Bet You AThink That's Pretty Clever Don't YEou Boy..? F#mFlying On Your Motorcycle AWatching All The Ground Beneath You EDrop.. F#mYou'd Kill Yourself For Recognition AKill Yourself To Never EEver Stop.. You F#mBroke Another Mirror You're TAurning Into Something You EAre Not.. Reff : Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Int. F#m A E.. F#mDrying Up In Conversation AYou Will Be The One Who CannEot Talk.. F#mAll Your Insides Fall To Pieces AYou Just Sit There Wishing You Could StiEll Make Love.. F#mThey're The Ones Who'll Hate You When You AThink You've Got Rhe World AlEl Sussed Out.. ThF#mey're The Ones, Who'll Spit At You AYou Will Be The One ScrEeaming Out.. Reff : Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Music : F#m A E.. F#m A E.. It's The F#mBest Thing, That You Ever Had The BesAt Thing That You Ever, EEver Had.. It's The Best F#mThing, That You Ever Had The BesAt Thing You Ever Had Has GEone Away.. Reff : Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Don't Leave Me F#mHighA..E Don't Leave Me F#mHighA.. Don't Leave Me EDry..
FAQ
Quels sont les accords pour High And Dry ?
Les accords pour High And Dry sont : Gm, A#, F
Quelle est la tonalité originale de High And Dry ?
La tonalité originale est Em.
Quelle est la difficulté pour jouer High And Dry ?
Le niveau de difficulté est Beginner.
Puis-je jouer High And Dry dans une autre tonalité ?
Oui. Vous pouvez transposer la chanson dans n'importe quelle tonalité en utilisant la fonction de transposition.
High And Dry peut-elle être jouée sur une guitare acoustique ?
Oui. Les accords fonctionnent pour la guitare acoustique et électrique.
Puis-je jouer High And Dry au ukulélé ?
Les accords de High And Dry peuvent être joués à la guitare ou au ukulélé, en utilisant les positions propres à chaque instrument.
Combien d'accords sont utilisés dans High And Dry ?
High And Dry utilise 3 accords : Gm, A#, F
Quelle est la façon la plus simple de jouer High And Dry ?
Vous pouvez utiliser la fonction de transposition pour changer la tonalité et l'adapter à votre gamme vocale ou utiliser des formes d'accords plus faciles.
Dans quelle décennie High And Dry a-t-elle été créée ?
High And Dry a été créée dans les années 1990. Voir plus de chansons des 1990 ici
View Original Key
Accords de Guitare
Gm
A#
F
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