Capo 2nd fret Intro : Dm F C.. Dm F C.. DmTwo Jumps In A Week I Bet You FThink That's Pretty Clever Don't YCou Boy..? DmFlying On Your Motorcycle FWatching All The Ground Beneath You CDrop.. DmYou'd Kill Yourself For Recognition FKill Yourself To Never CEver Stop.. You DmBroke Another Mirror You're TFurning Into Something You CAre Not.. Reff : Don't Leave Me DmHighF.. Don't Leave Me CDry.. Don't Leave Me DmHighF.. Don't Leave Me CDry.. Int. Dm F C.. DmDrying Up In Conversation FYou Will Be The One Who CannCot Talk.. DmAll Your Insides Fall To Pieces FYou Just Sit There Wishing You Could StiCll Make Love.. DmThey're The Ones Who'll Hate You When You FThink You've Got Rhe World AlCl Sussed Out.. ThDmey're The Ones, Who'll Spit At You FYou Will Be The One ScrCeaming Out.. Reff : Don't Leave Me DmHighF.. Don't Leave Me CDry.. Don't Leave Me DmHighF.. Don't Leave Me CDry.. Music : Dm F C.. Dm F C.. It's The DmBest Thing, That You Ever Had The BesFt Thing That You Ever, CEver Had.. It's The Best DmThing, That You Ever Had The BesFt Thing You Ever Had Has GCone Away.. Reff : Don't Leave Me DmHighF.. Don't Leave Me CDry.. Don't Leave Me DmHighF.. Don't Leave Me CDry.. Don't Leave Me DmHighF..C Don't Leave Me DmHighF.. Don't Leave Me CDry..
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Intro : F#m A E.. F#m A E.. F#mTwo Jumps In A Week I Bet You AThink That's Pretty Clever Don't YEou Boy..? F#mFlying On Your Motorcycle AWatching All The Ground Beneath You EDrop.. F#mYou'd Kill Yourself For Recognition AKill Yourself To Never EEver Stop.. You F#mBroke Another Mirror You're TAurning Into Something You EAre Not.. Reff : Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Int. F#m A E.. F#mDrying Up In Conversation AYou Will Be The One Who CannEot Talk.. F#mAll Your Insides Fall To Pieces AYou Just Sit There Wishing You Could StiEll Make Love.. F#mThey're The Ones Who'll Hate You When You AThink You've Got Rhe World AlEl Sussed Out.. ThF#mey're The Ones, Who'll Spit At You AYou Will Be The One ScrEeaming Out.. Reff : Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Music : F#m A E.. F#m A E.. It's The F#mBest Thing, That You Ever Had The BesAt Thing That You Ever, EEver Had.. It's The Best F#mThing, That You Ever Had The BesAt Thing You Ever Had Has GEone Away.. Reff : Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Don't Leave Me F#mHighA.. Don't Leave Me EDry.. Don't Leave Me F#mHighA..E Don't Leave Me F#mHighA.. Don't Leave Me EDry..
FAQ
Quels sont les accords pour High And Dry ?
Les accords pour High And Dry sont : Dm, F, C
Quelle est la tonalité originale de High And Dry ?
La tonalité originale est Em.
Quelle est la difficulté pour jouer High And Dry ?
Le niveau de difficulté est Beginner.
Puis-je jouer High And Dry dans une autre tonalité ?
Oui. Vous pouvez transposer la chanson dans n'importe quelle tonalité en utilisant la fonction de transposition.
High And Dry peut-elle être jouée sur une guitare acoustique ?
Oui. Les accords fonctionnent pour la guitare acoustique et électrique.
Puis-je jouer High And Dry au ukulélé ?
Les accords de High And Dry peuvent être joués à la guitare ou au ukulélé, en utilisant les positions propres à chaque instrument.
Combien d'accords sont utilisés dans High And Dry ?
High And Dry utilise 3 accords : Dm, F, C
Quelle est la façon la plus simple de jouer High And Dry ?
Vous pouvez utiliser la fonction de transposition pour changer la tonalité et l'adapter à votre gamme vocale ou utiliser des formes d'accords plus faciles.
Dans quelle décennie High And Dry a-t-elle été créée ?
High And Dry a été créée dans les années 1990. Voir plus de chansons des 1990 ici
View Original Key
Accords de Guitare
Dm
F
C
Capo · play original chords