4/4 66 Bpm Chorus 1 (Where Em9Did We Go Wrong?) Now Won't You Tell Me What Went WrG6/Aong, With LDmaj7ove And Maybe We Could B7(b9)Fix It (What's Wrong Between Us?) (Where Em9Did We Go Wrong?) Now Won't You Tell Me What Went G6/AWrong With LDmaj7ove.......Am7.....D7.. Verse 1 Gmaj7 It Doesn't Matter F#m7Who Is RiEm7ght, G/A Or WroDmaj7ng B7(b9) It Doesn't Matter Who's To BlamGmaj7e We Both Have To F#m7Swallow Our PEm7ride, To MG/Aake This Love StroDmaj7ng..., Ooh, BDmaj7aby Yeah Pre-Chorus 1 And A#/CWe Can Conquer AnytA#/Ching, Hey Baby ToG/Agether, ToG/Agether, ToG/Agether, ToG/Agether... And A#/CIf Our Love Was Meant To A#/CBe, Oh Girl We'll G/AFind A Way To Save It (We're Gonna Find A Way To Save It) We'll Build A G/ARoad Of Loving, Baby Chorus 2 (Where Em9Did We Go Wrong?) Now Won't You Tell Me What Went G6/AWrong, With LDmaj7ove And Maybe We Can B7(b9)Fix It (What's Wrong Between Us?) (Where Em9Did We Go Wrong?) Now Won't You Tell Me What Went G6/AWrong With LDmaj7ove.......Am7.....D7.. Verse 2 Gmaj7 I Had A Lot Of F#m7Sleepless NEm7ights, G/A With This CDmaj7risis On My Mind B7(b9) Spinning 'Round In My MinGmaj7d (Spinning 'Round In My Mind) Searching F#m7Deep WithiEm7n, G/A To Try To Make It RiDmaj7ght, With YoDmaj7u And Me Pre-Chorus 2 A#/CWe Can Patch It Up AA#/Cgain, Oh Baby ToG/Agether, ToG/Agether, ToG/Agether, ToG/Agether... A#/CIf Our Love Was Meant To A#/CBe, Hey Baby We'll G/AFind A Way To Save It (We're Gonna Find A Way To Save It) We'll Build A G/ARoad Of Loving, Baby A#/CFind A Way To Save It (We're Gonna Find A Way To Save It) We'll Build AA#/C Road Of Of Loving, Baby G/AFind A Way To Save It (We're Gonna Find A Way To Save It) We'll Build A G/ARoad Of Of Loving, Baby Chorus 3 Oh, Em9Oh, Oh, Oh, Oh, Eh, Eh, Eh (Where Did We Go WrG6/Aong?) With LDmaj7ove And Maybe We Can B7(b9)Fix It (What's Wrong Between Us?) (Where Em9Did We Go Wrong?) Girl, G6/A Tell Me What Went Wrong With LDmaj7ove And Maybe We Can B7(b9)Fix It, Baby (What's Wrong Between Us?) Fading Outro Ooooooh....(Where Em9Did We Go Wrong?) Oooh, Oooh, G6/AOooh, Oooh, Oooh,Dmaj7 Oooh Tell Your B7(b9)Baby (What's Wrong Between Us?) Tell Your Baby What WeEm9nt Wrong With Love G6/A (Where Did We Go Wrong?) Hey, Hey, Maybe We Can Dmaj7Work It Out, Work It Out (What's B7(b9)Wrong Between Us?) We, We, We Can Work It Out, BabyEm9 (Where Did We Go Wrong) OG6/Ah, Can You Dmaj7Tell Your Baby What Went Wrong With LB7(b9)ove (What's Wrong Between Us?)
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FAQ
Quels sont les accords pour Where Did We Go Wrong ?
Les accords pour Where Did We Go Wrong sont : Em9, G6/A, Dmaj7, B7(b9), Am7, D7, Gmaj7, F#m7, Em7, G/A, A#/C
Quelle est la tonalité originale de Where Did We Go Wrong ?
La tonalité originale est Dm9.
Quelle est la difficulté pour jouer Where Did We Go Wrong ?
Le niveau de difficulté est Advanced.
Puis-je jouer Where Did We Go Wrong dans une autre tonalité ?
Oui. Vous pouvez transposer la chanson dans n'importe quelle tonalité en utilisant la fonction de transposition.
Where Did We Go Wrong peut-elle être jouée sur une guitare acoustique ?
Oui. Les accords fonctionnent pour la guitare acoustique et électrique.
Puis-je jouer Where Did We Go Wrong au ukulélé ?
Les accords de Where Did We Go Wrong peuvent être joués à la guitare ou au ukulélé, en utilisant les positions propres à chaque instrument.
Combien d'accords sont utilisés dans Where Did We Go Wrong ?
Where Did We Go Wrong utilise 11 accords : Em9, G6/A, Dmaj7, B7(b9), Am7, D7, Gmaj7, F#m7, Em7, G/A, A#/C
Quelle est la façon la plus simple de jouer Where Did We Go Wrong ?
Vous pouvez utiliser la fonction de transposition pour changer la tonalité et l'adapter à votre gamme vocale ou utiliser des formes d'accords plus faciles.
Dans quelle décennie Where Did We Go Wrong a-t-elle été créée ?
Where Did We Go Wrong a été créée dans les années 1980. Voir plus de chansons des 1980 ici
Existe-t-il des versions d'accords plus faciles pour Where Did We Go Wrong ?
Oui. Appuyez sur le bouton Simplifier pour transformer les accords de Where Did We Go Wrong en accords adaptés aux débutants - cela supprime les extensions avancées comme maj7, m7 et les neuvièmes sans changer la tonalité ni la progression du morceau.