4/4 66 Bpm Chorus 1 (Where Am9Did We Go Wrong?) Now Won't You Tell Me What Went WrC6/Dong, With LGmaj7ove And Maybe We Could E7(b9)Fix It (What's Wrong Between Us?) (Where Am9Did We Go Wrong?) Now Won't You Tell Me What Went C6/DWrong With LGmaj7ove.......Dm7.....G7.. Verse 1 Cmaj7 It Doesn't Matter Bm7Who Is RAm7ight, C/D Or WrGmaj7ong E7(b9) It Doesn't Matter Who's To BlamCmaj7e We Both Have To Bm7Swallow Our Am7Pride, To C/DMake This Love StrGmaj7ong..., Ooh, Gmaj7Baby Yeah Pre-Chorus 1 And D#/FWe Can Conquer AnytD#/Fhing, Hey Baby ToC/Dgether, ToC/Dgether, ToC/Dgether, ToC/Dgether... And D#/FIf Our Love Was Meant To D#/FBe, Oh Girl We'll C/DFind A Way To Save It (We're Gonna Find A Way To Save It) We'll Build A C/DRoad Of Loving, Baby Chorus 2 (Where Am9Did We Go Wrong?) Now Won't You Tell Me What Went C6/DWrong, With LGmaj7ove And Maybe We Can E7(b9)Fix It (What's Wrong Between Us?) (Where Am9Did We Go Wrong?) Now Won't You Tell Me What Went C6/DWrong With LGmaj7ove.......Dm7.....G7.. Verse 2 Cmaj7 I Had A Lot Of Bm7Sleepless Am7Nights, C/D With This Gmaj7Crisis On My Mind E7(b9) Spinning 'Round In My MinCmaj7d (Spinning 'Round In My Mind) Searching Bm7Deep WithAm7in, C/D To Try To Make It RGmaj7ight, With YGmaj7ou And Me Pre-Chorus 2 D#/FWe Can Patch It Up AD#/Fgain, Oh Baby ToC/Dgether, ToC/Dgether, ToC/Dgether, ToC/Dgether... D#/FIf Our Love Was Meant To D#/FBe, Hey Baby We'll C/DFind A Way To Save It (We're Gonna Find A Way To Save It) We'll Build A C/DRoad Of Loving, Baby D#/FFind A Way To Save It (We're Gonna Find A Way To Save It) We'll Build AD#/F Road Of Of Loving, Baby C/DFind A Way To Save It (We're Gonna Find A Way To Save It) We'll Build A C/DRoad Of Of Loving, Baby Chorus 3 Oh, Am9Oh, Oh, Oh, Oh, Eh, Eh, Eh (Where Did We Go WrC6/Dong?) With LGmaj7ove And Maybe We Can E7(b9)Fix It (What's Wrong Between Us?) (Where Am9Did We Go Wrong?) Girl, C6/D Tell Me What Went Wrong With LGmaj7ove And Maybe We Can E7(b9)Fix It, Baby (What's Wrong Between Us?) Fading Outro Ooooooh....(Where Am9Did We Go Wrong?) Oooh, Oooh, C6/DOooh, Oooh, Oooh,Gmaj7 Oooh Tell Your E7(b9)Baby (What's Wrong Between Us?) Tell Your Baby What WeAm9nt Wrong With Love C6/D (Where Did We Go Wrong?) Hey, Hey, Maybe We Can Gmaj7Work It Out, Work It Out (What's E7(b9)Wrong Between Us?) We, We, We Can Work It Out, BabyAm9 (Where Did We Go Wrong) OC6/Dh, Can You Gmaj7Tell Your Baby What Went Wrong With LE7(b9)ove (What's Wrong Between Us?)
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FAQ
Quels sont les accords pour Where Did We Go Wrong ?
Les accords pour Where Did We Go Wrong sont : Am9, C6/D, Gmaj7, E7(b9), Dm7, G7, Cmaj7, Bm7, Am7, C/D, D#/F
Quelle est la tonalité originale de Where Did We Go Wrong ?
La tonalité originale est Dm9.
Quelle est la difficulté pour jouer Where Did We Go Wrong ?
Le niveau de difficulté est Advanced.
Puis-je jouer Where Did We Go Wrong dans une autre tonalité ?
Oui. Vous pouvez transposer la chanson dans n'importe quelle tonalité en utilisant la fonction de transposition.
Where Did We Go Wrong peut-elle être jouée sur une guitare acoustique ?
Oui. Les accords fonctionnent pour la guitare acoustique et électrique.
Puis-je jouer Where Did We Go Wrong au ukulélé ?
Les accords de Where Did We Go Wrong peuvent être joués à la guitare ou au ukulélé, en utilisant les positions propres à chaque instrument.
Combien d'accords sont utilisés dans Where Did We Go Wrong ?
Where Did We Go Wrong utilise 11 accords : Am9, C6/D, Gmaj7, E7(b9), Dm7, G7, Cmaj7, Bm7, Am7, C/D, D#/F
Quelle est la façon la plus simple de jouer Where Did We Go Wrong ?
Vous pouvez utiliser la fonction de transposition pour changer la tonalité et l'adapter à votre gamme vocale ou utiliser des formes d'accords plus faciles.
Dans quelle décennie Where Did We Go Wrong a-t-elle été créée ?
Where Did We Go Wrong a été créée dans les années 1980. Voir plus de chansons des 1980 ici
Existe-t-il des versions d'accords plus faciles pour Where Did We Go Wrong ?
Oui. Appuyez sur le bouton Simplifier pour transformer les accords de Where Did We Go Wrong en accords adaptés aux débutants - cela supprime les extensions avancées comme maj7, m7 et les neuvièmes sans changer la tonalité ni la progression du morceau.