Intro G G Dm Dm Am Em F B Verse 1 Let's Start This OGff By Saying I Know I'm A Lucky Guy Though Life's Still ToGugh, I Get Back Up And Give Another Try, IDm Swear 3 In The Morning, CrooDmning Upstairs I'm Tryna Serenade Her And Speak The TrAmuth Think Back To Times When I Wouldn't Dare To MEmove I Wouldn't Open The Door For AnyFthing It's So Easy To ForgBet Chorus So Take It SGtep By Step, Stay On My Feet LGet 'Em Burn Their Effigy If The GrDmound Is Hollow Underneath DmI Can't Let It Get To Me Keep The PAmace And Steady My Breath Only The RaEmvens Sing For What's Left This Is No One's FFantasy But When The Gavel Comes Down, Then I'd BeBtter Know My— Verse 2 GAnd In Due Time We Were AnsGwering Before We Even Knew The Crime, I DmSwear The Crowd Ran Out, I Couldn't Help But To SDmtare I Felt The Air Filling With Certain DAmoom Ripe Like A Fruit, Hanging A CrookedEm Moon Dropping The Curtain For All The EFmpty Seats BNo Verse 3 AmAnd In The Dimly Light I Saw AC Child Beckon Me, He Wouldn't Meet My Eyes "I DEmare You To Get Close," He Said "I'll Tell A Secret If You DmStay A While," Better Yet And I Thought, "I Should EsAmcape This Madness Instead" Even The StEmage Was Sinking Like Lead But I Couldn't SFtand To Leave It's So Easy To BForget Chorus So Take It SGtep By Step, Stay On My Feet LGet 'Em Burn Their Effigy If The GrDmound Is Hollow Underneath DmI Can't Let It Get To Me Keep The PAmace And Steady My Breath Only The RaEmvens Sing For What's Left This Is No One's FFantasy But When The Gavel Comes Down, Then I'd BeBtter Know Myself Verse 4 GI Know We Don't Talk AnyBmmore But I'm Covered In This Dirt And I FoFrget That There's No Remedy So I'm Left To Close My Eyes ACnd Breathe EmIs It Okay If I Need HDelp? Lost And AmLonely Like EveCrybody Before Me I'm EmTerrified By My Own Means, DBmamned If I Don't FinDd What's Laying Beyond Reach 'Til I RestAm My Head, Make Me UnCderstand I SBee It, But My Memory Is FadAming In Disbelief F#mChanging Right In Front Of Me WaFs Everything But WasEm Everything WaDms Everything Verse 5 I Said, "You're SCtill Right Here So WBhy Are You Still Cheating The MAmoment? You Got Your HCeart In The Right Place But It Could Flee Any MEmoment, Come On Get Your LeBmgs Moving The Right Pace Remember The Spirit BrD5eaking In The Palm Of YourC#5 Hand Won't Sit And C5Wait For You To Do What YoB5u Can You've Been Wasting AmEnergy, The Mirror's Staring At Me" EmHe Said, "I'll Drag You Down, But YBou Can't Get Nowhere Without Me" Outro G G Dm Dm Am Em F B G G Dm Dm Am Em F
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FAQ
Quels sont les accords pour Do What You Can ?
Les accords pour Do What You Can sont : G, Dm, Am, Em, F, B, C, Bm, D, F#m, D5, C#5
Quelle est la tonalité originale de Do What You Can ?
La tonalité originale est Eb.
Quelle est la difficulté pour jouer Do What You Can ?
Le niveau de difficulté est Advanced.
Puis-je jouer Do What You Can dans une autre tonalité ?
Oui. Vous pouvez transposer la chanson dans n'importe quelle tonalité en utilisant la fonction de transposition.
Do What You Can peut-elle être jouée sur une guitare acoustique ?
Oui. Les accords fonctionnent pour la guitare acoustique et électrique.
Puis-je jouer Do What You Can au ukulélé ?
Les accords de Do What You Can peuvent être joués à la guitare ou au ukulélé, en utilisant les positions propres à chaque instrument.
Combien d'accords sont utilisés dans Do What You Can ?
Do What You Can utilise 12 accords : G, Dm, Am, Em, F, B, C, Bm, D, F#m, D5, C#5
Quelle est la façon la plus simple de jouer Do What You Can ?
Vous pouvez utiliser la fonction de transposition pour changer la tonalité et l'adapter à votre gamme vocale ou utiliser des formes d'accords plus faciles.
Dans quelle décennie Do What You Can a-t-elle été créée ?
Do What You Can a été créée dans les années 2020. Voir plus de chansons des 2020 ici
Existe-t-il des versions d'accords plus faciles pour Do What You Can ?
Oui. Appuyez sur le bouton Simplifier pour transformer les accords de Do What You Can en accords adaptés aux débutants - cela supprime les extensions avancées comme maj7, m7 et les neuvièmes sans changer la tonalité ni la progression du morceau.
