Intro D D Am Am Em Bm C F# Verse 1 Let's Start This ODff By Saying I Know I'm A Lucky Guy Though Life's Still ToDugh, I Get Back Up And Give Another Try, IAm Swear 3 In The Morning, CrooAmning Upstairs I'm Tryna Serenade Her And Speak The TrEmuth Think Back To Times When I Wouldn't Dare To MBmove I Wouldn't Open The Door For AnyCthing It's So Easy To ForgF#et Chorus So Take It SDtep By Step, Stay On My Feet LDet 'Em Burn Their Effigy If The GrAmound Is Hollow Underneath AmI Can't Let It Get To Me Keep The PEmace And Steady My Breath Only The RaBmvens Sing For What's Left This Is No One's FCantasy But When The Gavel Comes Down, Then I'd BeF#tter Know My— Verse 2 DAnd In Due Time We Were AnsDwering Before We Even Knew The Crime, I AmSwear The Crowd Ran Out, I Couldn't Help But To SAmtare I Felt The Air Filling With Certain DEmoom Ripe Like A Fruit, Hanging A CrookedBm Moon Dropping The Curtain For All The ECmpty Seats F#No Verse 3 EmAnd In The Dimly Light I Saw AG Child Beckon Me, He Wouldn't Meet My Eyes "I DBmare You To Get Close," He Said "I'll Tell A Secret If You AmStay A While," Better Yet And I Thought, "I Should EsEmcape This Madness Instead" Even The StBmage Was Sinking Like Lead But I Couldn't SCtand To Leave It's So Easy To F#Forget Chorus So Take It SDtep By Step, Stay On My Feet LDet 'Em Burn Their Effigy If The GrAmound Is Hollow Underneath AmI Can't Let It Get To Me Keep The PEmace And Steady My Breath Only The RaBmvens Sing For What's Left This Is No One's FCantasy But When The Gavel Comes Down, Then I'd BeF#tter Know Myself Verse 4 DI Know We Don't Talk AnyF#mmore But I'm Covered In This Dirt And I FoCrget That There's No Remedy So I'm Left To Close My Eyes AGnd Breathe BmIs It Okay If I Need HAelp? Lost And EmLonely Like EveGrybody Before Me I'm BmTerrified By My Own Means, DF#mamned If I Don't FinAd What's Laying Beyond Reach 'Til I RestEm My Head, Make Me UnGderstand I SF#ee It, But My Memory Is FadiEmng In Disbelief C#mChanging Right In Front Of Me WaCs Everything But WasBm Everything WaAms Everything Verse 5 I Said, "You're SGtill Right Here So WF#hy Are You Still Cheating The MoEmment? You Got Your HGeart In The Right Place But It Could Flee Any MBmoment, Come On Get Your LeF#mgs Moving The Right Pace Remember The Spirit BrA5eaking In The Palm Of YourG#5 Hand Won't Sit And G5Wait For You To Do What YoF#5u Can You've Been Wasting EmEnergy, The Mirror's Staring At Me" BmHe Said, "I'll Drag You Down, But YF#ou Can't Get Nowhere Without Me" Outro D D Am Am Em Bm C F# D D Am Am Em Bm C
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FAQ
Quels sont les accords pour Do What You Can ?
Les accords pour Do What You Can sont : D, Am, Em, Bm, C, F#, G, F#m, A, C#m, A5, G#5
Quelle est la tonalité originale de Do What You Can ?
La tonalité originale est Eb.
Quelle est la difficulté pour jouer Do What You Can ?
Le niveau de difficulté est Advanced.
Puis-je jouer Do What You Can dans une autre tonalité ?
Oui. Vous pouvez transposer la chanson dans n'importe quelle tonalité en utilisant la fonction de transposition.
Do What You Can peut-elle être jouée sur une guitare acoustique ?
Oui. Les accords fonctionnent pour la guitare acoustique et électrique.
Puis-je jouer Do What You Can au ukulélé ?
Les accords de Do What You Can peuvent être joués à la guitare ou au ukulélé, en utilisant les positions propres à chaque instrument.
Combien d'accords sont utilisés dans Do What You Can ?
Do What You Can utilise 12 accords : D, Am, Em, Bm, C, F#, G, F#m, A, C#m, A5, G#5
Quelle est la façon la plus simple de jouer Do What You Can ?
Vous pouvez utiliser la fonction de transposition pour changer la tonalité et l'adapter à votre gamme vocale ou utiliser des formes d'accords plus faciles.
Dans quelle décennie Do What You Can a-t-elle été créée ?
Do What You Can a été créée dans les années 2020. Voir plus de chansons des 2020 ici
Existe-t-il des versions d'accords plus faciles pour Do What You Can ?
Oui. Appuyez sur le bouton Simplifier pour transformer les accords de Do What You Can en accords adaptés aux débutants - cela supprime les extensions avancées comme maj7, m7 et les neuvièmes sans changer la tonalité ni la progression du morceau.
