Intro : D A Bm G My TeaDrs Run Down Like Razorblades And ANo, I'm Not The One To Blame It's YBmou Or Is IGt Me? And DAll The Words We Never Say Come OAut And Now We're All Ashamed And TherBme's No Sense In Playing Games When You've DGone All You Can Do.. Reff : But Now It's DOver..it's AOver Why Is It BmOver? We GHad The Chance To Make It Now It's DOver..it's AOver It Can't Be BmOver.. I WiGsh That I Could Take It Back But Ists DOverA EBmr RG.. I LoDse Myself In All These Fights I LoAse My Sense Of Wrong And Right I CBmry..i GCry It's ShDaking From The Pain That's In My HAead I Just Wanna Crawl Into My BmBed And Throw Away The Life I LGed But I Won't Let It DiAe But I Won't Let It Die Reff : But Now It's DOver..it's AOver Why Is It BmOver? We GHad The Chance To Make It Now It's DOver..it's AOver It Can't Be BmOver.. I WiGsh That I Could Take It Back Em I'm Falling ApGart I'm Falling ApaDrt Don't Say This Won't Last Forever Em You're Breaking My HeGart You're Breaking My HeDart Don't Tell Me TAhat We Will Never EmBe..togGether We Could DBe..over And Over We Could BEme..forGever.A.. Reff end : It's Not DOver..it's Not AOver It's Never BmOver.. UnlGess You Let It Take You It's Not DOver..it's Not OAver It's Not BmOver.. UnlesGs You Let It Break You It's Not DOver.. }}}}Original Chord{{{{ Intro : G# D# Fm C# My TeG#ars Run Down Like Razorblades And D#No, I'm Not The One To Blame It's FmYou Or Is C#It Me? And G#All The Words We Never Say Come OD#ut And Now We're All Ashamed And ThFmere's No Sense In Playing Games When You've DC#one All You Can Do.. Reff : But Now It's G#Over..it's D#Over Why Is It OFmver? We HC#ad The Chance To Make It Now It's G#Over..it's D#Over It Can't Be FmOver I WiC#sh That I Could Take It Back But Ists G#OverD#.. Fm C# I G#Lose Myself In All These Fights I LD#ose My Sense Of Wrong And Right I FmCry, I C#Cry It's G#Shaking From The Pain That's In My HD#ead I Just Wanna Crawl Into My FmBed And Throw Away The Life I C#Led But I Won't Let It Die, D#But I Won't Let It Die Reff : But Now It's G#Over..it's D#Over Why Is It OFmver? WeC# Had The Chance To Make It Now It's G#Over..it's D#Over It Can't Be FmOver I WiC#sh That I Could Take It Back A#m I'm Falling ApaC#rt I'm Falling ApG#art Don't Say This Won't Last Forever A#m You're Breaking My C#Heart You're Breaking My HeG#art Don't Tell Me TD#hat We Will Never A#mBe..togC#ether We Could G#Be..over And Over We CouldA#m Be..foC#rever..D#. Reff end : It's Not G#Over..it's Not D#Over It's Never FmOver.. UC#nless You Let It Take You It's Not G#Over..it's Not D#Over It's Not OFmver.. UnC#less You Let It Break You It's Not G#Over..
FAQ
Quels sont les accords pour It'S Not Over ?
Les accords pour It'S Not Over sont : D, A, Bm, G, Em, G#, D#, Fm, C#, A#m
Quelle est la tonalité originale de It'S Not Over ?
La tonalité originale est C.
Quelle est la difficulté pour jouer It'S Not Over ?
Le niveau de difficulté est Beginner.
Puis-je jouer It'S Not Over dans une autre tonalité ?
Oui. Vous pouvez transposer la chanson dans n'importe quelle tonalité en utilisant la fonction de transposition.
It'S Not Over peut-elle être jouée sur une guitare acoustique ?
Oui. Les accords fonctionnent pour la guitare acoustique et électrique.
Puis-je jouer It'S Not Over au ukulélé ?
Les accords de It'S Not Over peuvent être joués à la guitare ou au ukulélé, en utilisant les positions propres à chaque instrument.
Combien d'accords sont utilisés dans It'S Not Over ?
It'S Not Over utilise 10 accords : D, A, Bm, G, Em, G#, D#, Fm, C#, A#m
Quelle est la façon la plus simple de jouer It'S Not Over ?
Vous pouvez utiliser la fonction de transposition pour changer la tonalité et l'adapter à votre gamme vocale ou utiliser des formes d'accords plus faciles.
Dans quelle décennie It'S Not Over a-t-elle été créée ?
It'S Not Over a été créée dans les années 2000. Voir plus de chansons des 2000 ici
Existe-t-il des versions d'accords plus faciles pour It'S Not Over ?
Oui. Appuyez sur le bouton Simplifier pour transformer les accords de It'S Not Over en accords adaptés aux débutants - cela supprime les extensions avancées comme maj7, m7 et les neuvièmes sans changer la tonalité ni la progression du morceau.