CAPO 2ND FRET! Exact chords shapes used as follows : Eadd9 032033 E 032010 B 320033 F# 000232 Verse 1 Let Me Eadd9Tell Ya A Little Story, How It All EWent South I Was BVisiting The Homies Back In My F#Hometown WeEadd9 Went Out To The Bars That EWe Could Never Get BInto (Never Get InF#to) And Then I Eadd9Saw A Pretty Face I Knew I EOnce Knew No, The BProm Queen Didn't Peak F#In High School SheEadd9 Said, "Hey, How Are You, ETell Me, What You Been BUp To?" (What You Been Up TF#o?) Then Eadd9Talk Turned To DrinksE BDrinks Turned To Dancing F#All Night It Eadd9Felt Like A DreamE N.c But Something Didn't Sit Right Chorus Now I've Got A Eadd9Voicemail That I Should DeleteE And A Couple Of BPictures She Shouldn't Have Sent F#Me Now I've Got A Eadd9Problem That I Didn't NeedE Kinda Made A BMess, Now I'm In Too F#Deep Yeah, Eadd9I'd Be SurprEised If I BMade It To The End Of The WeekF# 'Cause I've Got A Eadd9Voicemail That I Should DeleteE And She's Got A BBoyfriend, And He's F#Gonna Kill Me Post-Chorus Eadd9 Na-Na, Na-Na, Na-ENa-Na, Oh B Na-Na, Na-Na, F#I Didn't Know Verse 2 N.c My Friends Told Me What I Wish I Knew At The Jump N.c She's Got A Tendency To Have A Little Too Much Fun N.c And When I Called Her In The Morning, That's When He Picked Up N.c Said "Boy, You Got A Big Storm Coming" Like Eadd9Oh Shit, Knew EWhat She Was Doing SweeBping Me Off My Feet And Making F#Me Look Stupid DiEadd9dn't Do It On Purpose, But Gotta EFace The Music N.c Oh God, I'm A Dead Man Running Chorus Now I've Got A Eadd9Voicemail That I Should DeleteE And A Couple Of BPictures She Shouldn't Have Sent F#Me Now I've Got A Eadd9Problem That I Didn't NeedE Kinda Made A BMess, Now I'm In Too F#Deep Yeah, Eadd9I'd Be SurprEised If I BMade It To The End Of The WeekF# 'Cause I've Got A Eadd9Voicemail That I Should DeleteE And She's Got A BBoyfriend, And He's F#Gonna Kill Me Post-Chorus Eadd9 Na-Na, Na-Na, Na-ENa-Na, Oh B Na-Na, Na-Na, F#I Didn't Know Eadd9 Na-Na, Na-Na, Na-ENa-Na, Oh B Na-Na, Na-Na, F#I Didn't Know Bridge Let Me Eadd9Tell Ya A Little Story, How It All EWent South How A BGreat Time Turned So UpF#side Down ButEadd9 It Was Fun While We Had EIt, Right?B And Tell Your Mans I AF#pologize Chorus Now I've Got A Eadd9Voicemail That I Should DeleteE And A Couple Of BPictures She Shouldn't Have Sent F#Me Now I've Got A Eadd9Problem That I Didn't NeedE Kinda Made A BMess, Now I'm In Too F#Deep Yeah, Eadd9I'd Be SurprEised If I BMade It To The End Of The WeekF# 'Cause I've Got A Eadd9Voicemail That I Should DeleteE And She's Got A BBoyfriend, And He's F#Gonna Kill Me Post-Chorus Eadd9 Na-Na, Na-Na, Na-ENa-Na, Oh B Na-Na, Na-Na, F#I Didn't Know
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FAQ
Quels sont les accords pour Voicemail ?
Les accords pour Voicemail sont : Eadd9, E, B, F#
Quelle est la tonalité originale de Voicemail ?
La tonalité originale est C.
Quelle est la difficulté pour jouer Voicemail ?
Le niveau de difficulté est Beginner.
Puis-je jouer Voicemail dans une autre tonalité ?
Oui. Vous pouvez transposer la chanson dans n'importe quelle tonalité en utilisant la fonction de transposition.
Voicemail peut-elle être jouée sur une guitare acoustique ?
Oui. Les accords fonctionnent pour la guitare acoustique et électrique.
Puis-je jouer Voicemail au ukulélé ?
Les accords de Voicemail peuvent être joués à la guitare ou au ukulélé, en utilisant les positions propres à chaque instrument.
Combien d'accords sont utilisés dans Voicemail ?
Voicemail utilise 4 accords : Eadd9, E, B, F#
Quelle est la façon la plus simple de jouer Voicemail ?
Vous pouvez utiliser la fonction de transposition pour changer la tonalité et l'adapter à votre gamme vocale ou utiliser des formes d'accords plus faciles.
Dans quelle décennie Voicemail a-t-elle été créée ?
Voicemail a été créée dans les années 2020. Voir plus de chansons des 2020 ici
Existe-t-il des versions d'accords plus faciles pour Voicemail ?
Oui. Appuyez sur le bouton Simplifier pour transformer les accords de Voicemail en accords adaptés aux débutants - cela supprime les extensions avancées comme maj7, m7 et les neuvièmes sans changer la tonalité ni la progression du morceau.